Another Truncated Quotation

Currently, In the Studio

I have a still life set up for my current under-drawing and I thought it would be a nice time for a studio visit via digital camera. All the foods are fake, which I love, they give off a plastic glow that cannot be replicated with actual food. Also, witness my usage of the classical studio appendage: the easel. I tried and tried not to, but my wrist finally gave out, or gave in. So now I see why its so nice to work on a tilt. The drafting table just couldn't quite do it for me. Also, the studio picture-visit was one of my favorite activities/assignments in grad school. Dennis Congdon had this great daily picture, daily drawing, daily sentence assignment, but he also had a "photograph your studio" assignment. I find this kind of re-viewing of one's work space from time to time very helpful.

More Source Material From the Antique Cookbook Stash

The Beech Tree

The beech tree dropped a bough for me, all covered with a stunning fungi. I couldn't resist sharing it here. I have a new love affair with this beech as it lives outside my studio window in our new home. Our last place didn't have trees, because the owner that preceded our landlord decided to cut them all down.

Blair's Website

Blair just added me to her fabulous Voltz-Clarke website. Shoot on over and take a look at all the wonderful artists she has over there. I'm especially partial to Romeo Alaeff's work and Sun Kwak's installations. Blair was the lovely curator of last year's Abbondanza show at the Ferragamo store space.

Fabulous object

I heart this object made by James Castle, titled Woman in Red Coat and Boater Hat. I found it this morning reading Artnet, click this link to go to the source of the image, yesterday's "Folk Art Notebook."

Going for Brevity

I'm in the process of writing a new artist's statement, which is similar to having a root canal. While I'm waiting for lightning to strike, I decided to shorten my older statement. I'm not sure if there's greater clarity, or if I'm just trying not to give it all away in the first handshake. I tried to retain the language of abundance without talking too much. It seems most of what I do is list when I write. The paintings are congruent to that impulse. Let me know what you think:

My pictures of mounds, stacks, piles, heaps, and staged arrangements contain a lexicon of cuttings, discards, statuary, bodies, edibles, and taxidermy. These piles convey an interest in classical notions of Vanitas still life and cornucopia as well as more contemporary notions of repetitive labor and mark-making.

Better Materialists

Another image update, I think the color and intensity here are truer to the original.

Cygnus Atratus : The Unusual Happens All the Time

Slide shots of my most recent painting, and yes you just saw my lousy studio photographs last post... here's the entire work shot by a slide photographer.. thankfully. His name is Stewart Woodward, and he's local to Waltham.

The Unusual Happens all the Time

Segments of a recently completed painting. Slide coming soon.

In Process

A little something in process in the studio. The white areas are still incomplete, the whole picture is a 12" diameter round.